Welcome to the Hermanus Photographic Society (HPS). If you want to enhance your photography skills, meet new challenges, or meet people with similar interests, please come and join us.
We meet on the first Wednesday of the month (not January) usually at the Dutch Reformed Church in Church Street, Hermanus at 19:00. Currently, due to Covid 19, we are hosting Zoom meetings. Please check our meeting roster for the event details. As a prospective new member you are welcome to attend one of our meetings before making a final decision to join the club.
Our club aims to develop an interest in photography and to master the technical and artistic challenges presented. We do this by holding club competitions, organising outings, and developing interest groups. If you do not wish to enter images for judging, a lot of technical information can be learnt from the judging section of the evening. This information will assist and inspire you to try different techniques and develop your photographic skills.
Our monthly meetings strive to cater for everybody… from the beginner to the advanced photographer. Everyone is welcome.
Despite Covid limitations curtailing regular monthly meetings at the Church Hall, the Hermanus Photographic Society participated via virtual “Zoom” meetings. This allowed the September meeting... Read more"UK judge at Hermanus club"
The Hermanus Photographic Society winner for August was Phil Sturgess' monochrome work 'Dead Vlei sculptures'. The entrees were pre-judged by Hermanus-based photographer and print master... Read more"August’s winning images"
The monthly set subject competition is intended to test and stretch the technical and creative abilities of our member photographers.
The set subjects for the next few months were ranked from a poll of members and is now part of our ongoing competition.
A new set subject will be added each month providing at least six to eight months of advance warning of a set subject. You can click on the links below to see more ideas on how to go about in creating your own entry.
Bokeh (pronounced boh-kay or incorrectly bok-uh) comes from the Japanese word boke (暈けor ボケ), which means blur or haze, or blur quality.
The English spelling bokeh was popularised in 1997 in Photo Techniques magazine, when Mike Johnston, the editor at the time, commissioned three papers on the topic for the May/June 1997 issue; he altered the spelling to suggest the correct pronunciation to English speakers, saying “it is properly pronounced with bo as in bone and ke as in Kenneth, with equal stress on either syllable”. But the spellings bokeh and boke have both been in use since at least 1996.
Essentially Bokeh is created by using a wide aperture to render a busy background into a soft expanse of colour, turning small points of light into soft circles, this establishes a shallow depth of field which causes the background to blur.
But not all Bokeh is pleasing: Good Bokeh means a background without any hard edges or sharpness. Nothing in the background should distract the audience or viewer. The blurry area should have circles of light that are round and smooth as circles with harder edges tend to be less visually appealing, since they distract more from the subject.
Bokeh can even be awkwardly shaped — the number of aperture blades the lens has determines the shape of the bokeh, if there’s only a few, that circle will actually look more like a hexagon.
Most newer lenses create a circular bokeh with a higher number of aperture blades — but even with new lenses, all bokeh is not created equal. Prime lenses tend to have better bokeh than zoom lenses because they typically have wider apertures. Even within prime lenses though, some options are better than others.
Capturing bokeh is simple — and fun, but first, pay attention to your background as you shoot. Look for small light sources. Shooting directly into an unobstructed sun will not create bokeh, but the sun filtering through or even reflecting off the leaves of trees will create bokeh. Water droplets also tend to grab some of that light to create bokeh when out of focus.
Man-made light sources can also be perfect bokeh material. A city skyline in the distance, traffic and street lights will all work as well. Bokeh can even be added to studio set ups using string lights or even by lighting up a crumpled piece of tinfoil. Anything that makes a small pin point of light, with the right lens, will work to make bokeh.
Once you’ve found your small light sources for bokeh, turn your camera to aperture priority mode (or full manual mode if you prefer). To get the most bokeh from the shot, use the widest aperture you have available. Then, just put your focal point on your subject, focus, and shoot.
If you take a look and the background bokeh just isn’t there, what then? First, if you’re not already on the widest aperture setting, go as wide as you can (or use a different lens with a wider aperture). In bright sunshine, you may need a neutral density filter in order to shoot that wide and still get a proper exposure. Neutral density filters will block out some of that bright light so you can use a wide aperture and still get a proper exposure. Or, if you don’t have a filter, you could try waiting until towards the end of the day, when the light isn’t so bright.
If aperture isn’t the issue, you can also move closer to the subject or move the subject farther from the background. Sometimes, finding brighter pinpoints of light helps too. For example, it’s easier to get bokeh with Christmas lights than it is to get it from light reflecting off tree leaves.
Location: Vermont Salt Pan, Rockhopper Street, Vermont
Date and Time: 5.30 pm Wednesday 15 September 2021
Meet at Parking Lot at end of Rockhopper
Guides: Daniel Reddie and David Wilson
The Vermont Salt Pan offers some great sunset opportunities (weather permitting of course) but the birdlife is truly awesome with at times hundreds of flamingos but also a multitude of other birds including three species of herons, waders, cormorants, ducks and geese. And even oneBlue Crane earlier this year!
The club has revised its Rules and Regulations. They are now more succinct and address concerns that members share regarding the slow rate of advancement progress. The system is now easier to understand and implement on the Photo Vault Online portal. It is also better aligned with the guidelines provided by the Photographic Society of South Africa.
Some of the key changes are:
From October the deadline for submitting images to Photo Vault will be the Wednesday prior to the club meeting and no longer the Saturday.
The threshold for 4-Star workers is lowered by one point. This change will be retroactive from January 2020 and advancement will be recomputed from this date.
It is now possible to advance to higher levels without achieving salon acceptances, albeit at a slower pace.
‘Magister’ is renamed ‘Master’ and there are multiple levels ranging from Master Bronze to Master Diamond.
“It will unfortunately take some weeks to fully implement the changes which seem to be a truly massive undertaking but the result will be a system that is up to date, transparent and eventually allow all members to get a real-time summary of their own progress through the advancement system,” says Club President David Wilson.
The Western Cape Photographic Forum will resume its honours group discussions in September 2021. The group is aimed to assist photographers who are planning to enter honours panels in the PSSA’s February 2022 judging session.
Kim Stevens has agreed to lead such a group for us. We are planning to start on Monday 20 September with further meetings planned for Thursdays 20 October and 18 November. Arrangements will only be finalised at our first meeting. Meetings will take place via Zoom in the evenings.
Members who are interested to take part should contact Nicol du Toit at firstname.lastname@example.org before 1 September 2021.
Our set subject competition in September is Triptych – a story in three. This particular challenge to the members requires three associated photos that together tell a story. Here is a 5 min photo scope.